Ray Osborn
Two Beach Poems
ISSUE 78 | THE WEIRD | AUG 2017
Portrait of a Skeletal Landscape
In November the beach is separated
and parsed out by wooden stitches
that keep all of the sand from falling
into the water, to unfreeze the lake
like a monstrous pile of road salt.
I imagine that the wood and wire fence
are the outline of a body, soon to be
cookie cut from the sand, all skeletal.
Instead I am inside the fenced area
and without a way out of the folly
that is this bleached, bleak cage.
I notice how the lake has evaporated,
been replaced by crepe-paper concrete
and allotted another undone horizon.
The skeleton shakes from the sand
and I cannot figure out my molten legs.
I’m heavy and filled with warm concrete
when the dream ends where it began,
me face down in the November sand,
waking again to a repeated landscape.
Made From Sand
The shoreline hangs to dry a variety of dunes
at the base of your neck and round near your chest
where there are emotions hiding in prickly reticence
and me doting on the suggestiveness of collarbone or harder parts
that might gradually
show arenas & vistas, contours washing up from the landscape.
I second-guess at locations and intonations: sources of warmth; you
a northerly wind idly tracing me and it seems harsh
but I would gladly forget you and your memory
of me and everything indexing me to me to you
like solitude in public
unable to name anything outside of myself
since everything is of me, always surrounding me;
me, mistaken for the articles shed by birds on the horizon
who shift & change in sequence
of perceived cold fronts into freshwater pinks, shoaling salmon,
and coral made shades erratic, like
how I covet and save the best of myself in landscapes,
not lived with you but like you:
that line of dunes: a disguise made from skin.
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