Image by Rebecca Rau.
An erasure of the August 28 article in the New York Times announcing Louis C.K.'s sudden return to performing, with highlight-to-reveal redactions.
A short black and white comic about constraints on monster living accommodations (shoeboxes etc). Kind of like "The Water Horse" but without the water.
Andrew Lloyd Webber's The Woman in White, recently reworked for a new production, somehow manages to be substantially more regressive than the Victorian sensation novel it's originally based on. 150 years on and somehow we're less capable of doing the Gothic justice.
it was paid for – all the roses of blood paid / for this loose dress / of immortality…
